Kucinich Introduces Legislation That Seeks To Lower Prescription Drug Costs By Replacing Medicare Part D

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Rep. Dennis Kucinich (D-Ohio) recently introduced a broadsheet (HR 6800) that would replace the Medicare prescription medicine drug benefit with a new platform in an effort to reduce costs, CQ HealthBeat reports. The legislation would require Medicare to negotiate directly with pharmaceutical companies for discounts on ethical drug drugs and eliminate copayments, premiums and deductibles for medications for beneficiaries. In addition, the bill would limit the price of prescription drugs developed through publically funded research and allow the purchase of medications from an sanctioned list of foreign nations.

Kucinich in a statement said, "The privatized drug plan has been minded a probability and, as predicted, it has failed," adding, "There is no reason for us to keep throwing money at a bad idea when we know we lavatory save taxpayers billions of dollars and give seniors the medication they need."

According to a statement from America's Health Insurance Plans, a Harris Interactive on-line poll released in December 2007 plant that 87% of Medicare beneficiaries were satisfied with their prescription drug plans and that 75% worn-out less on medications than they did before enrollment. AHIP representative Robert Zirkelbach said, "The Part D program has proven to help seniors get access to the prescription drugs they need while holding down costs for beneficiaries and taxpayers" (Parnass, CQ HealthBeat, 8/7).


Reprinted with kind permission from http://www.kaisernetwork.org. You tail end view the entire Kaiser Daily Health Policy Report, search the archives, or sign up for email delivery at http://www.kaisernetwork.

Download Kim Wilson

Artist: Kim Wilson: mp3 download    Genre(s):  Blues     Discography:      Lookin For Trouble    Year: 2003    Tracks: 15      Smokin' joint    Year: 2001    Tracks: 13      My Blues    Year: 1997    Tracks: 15 Harmonica thespian, songwriter and singer Kim Wilson is as a lot a student and historian of classic blues as he is i of the U.S.'s elevation harmonica players. Simply put, Wilson has taste; when he enters the recording studio apartment, he has a clear vision of what he wants his following phonograph recording to intelligent care. Aside from all this, he's also an extremely difficult worker and a major route hogg, disbursal upward of cc nights a U.S., Canada and Europe with his have Kim Wilson stria and leading the Fabulous Thunderbirds. Although he's long been known as the magnetic frontman for the Fabulous Thunderbirds, Wilson's solo albums -- which feature bands of his have choosing for different tracks -- is where the mastermind in his function shows through and through most clearly. Born January 6, 1951 in Detroit, Wilson grew up in California. His parents were singers wHO would whistle pop standards on the wireless, and spell Wilson took trombone and guitar lessons, he didn't find blues until he was a senior in high school. Wilson's father-God afterwards worked for General Motors and raised his family in Goleta, California, he recalled in a 1994 question in his adopted hometown of Austin. "We weren't robust, merely we were o.K.," he recalled. Wilson dropped kO'd of college and began playing blues wide-cut time in 1970. Wilson had a rented way and lived the hipster existence, getting his harp chops together by playing with travelling blues musicians like Eddie Taylor. Even though Wilson had only switched to harp in his elderly yr in high school, his advance on the instrument was rapid and every mo as all-consuming as his blues record-buying habit. Charlie Musselwhite, John Lee Hooker and Sonny Rhodes were among the other Bay Area musicians Wilson befriended and worked with in clubs. But Wilson didn't meet his biggest mentor until after he affected to Austin in the mid-'70s. "Muddy Waters was my biggest wise man. He really made my report for me, and that was a wild time of my life, existence associated with that humankind," he recalled of his early years with the Fabulous Thunderbirds in Austin. There, at the Antone's megrims cabaret, Wilson and his Thunderbirds would back up whoever came into town, and it didn't consume long for the band to recognize they had Waters' benediction. As a ballad maker, Wilson takes his clew from the long-forgotten name calling like Tampa Red, Roosevelt Sykes and Lonnie Johnson. His 1993 solo album, Tigerman, for the Austin-based Antone's label, features merely three of his possess tunes. Being the student of the blues that he is, Wilson was clearly hesitant to track record overly many of his own tunes when he'd already had a vision in his head of how he was leaving to make over classics wish Joe Hill Louis's "Panthera tigris Man," the album's title rails. He followed up his debut with the every bit brilliant That's Life (1994), also for Antone's, and over again this recording contains just tierce self-penned songs. Wilson's life history took a supercharge in the '90s with a major-label deal with Private Music/BMG for the Fabulous Thunderbirds and haunt concert appearances with Bonnie Raitt. Wilson's solo albums are solid productions, extremely recommended for harp students and fans of classic Texas megrims and rhythm & blues.

News in the pharmaceutical industry

No Joke -- Bernie Mac Hospitalized for Pneumonia

There's nothing funny about this -- Bernie Mac has been placed in a Chicago hospital with a case of Pneumonia. The comedian is said to be responding well to treatment and should be released from the hospital in the next few days.

Mac suffers from sarcoidosis, a chronic disease that inflames organs -- so far it appears the Pneumonia is not related to that illness.






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Gary Glitter planning musical comeback

Jailed singer Gary Glitter is said to be planning a return to the music business after he gets out of jail.

The glam rock star, who is set to be released from his Vietnamese jail cell in August, was convicted in March 2006 of molesting two young girls.

But now Glitter has allegedly had his three-year jail term cut by three months, and he's ready to record a new album when he gets out.

According to Sky News Glitter said: "I have an incomplete album that I want to finish. I have been thinking about the plan during my days in jail."

Glitter also revealed he probably won't stay in Vietnam after he serves his sentence and is looking for a residence elsewhere - although not the UK, as he will be on the country's sex offender register here, after his 1999 conviction and jailing for downloading child pornography.

"I am trying to contact my lawyer and friends to see where the best place to live is," he said.

Manuel De Falla Paco De Lucia Ramon De Algeciras

   
Artist: Manuel De Falla Paco De Lucia Ramon De Algeciras

   Genre(s): 
Folk: Spanish
   

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Discography:


   
 Paco De Lucia Interpreta A Manuel De Falla

   Year: 1978   
Tracks: 10

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Sugababes - Berrabah Wants Radical Boob Jab

SUGABABES star AMELLE BERRABAH is so desperate to be more voluptuous - she's considering having collagen injected into her cleavage.

The British beauty is self-conscious about being flat-chested and she is keen to try out the radical treatment - if it guarantees she'll have bigger boobs.

She says, "I've read about this surgery-free boob enhancer. And I'm really flat-chested so I would definitely consider it."

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Alexis Petridis on Shakin' Stevens

The news that Shakin' Stevens will be performing at this year's Glastonbury festival has not met with unmingled delight. Chief among the naysayers was the Sun's Bizarre columnist, Gordon Smart, who took time out from predicting "the Fratellis' new album will soon be hailed as a modern British rock classic" to lambast "the worst Glastonbury lineup ever" and lay the blame squarely at Shaky's green door. Smart's message is clear: the appearance of Shakin' Stevens on the bill offers irrevocable proof that Glastonbury has sold out.

But, as Paul Barrett and Hilary Hayward's indispensable 1983 biography Shakin' Stevens makes clear, mock Shaky's leftfield credentials at your peril. It is a remarkable book, not least because it seems to adopt the unique premise that Stevens is the most important figure in the history of British music. The authors (Barrett was Stevens' manager before the hits started happening) pour scorn on lesser talents, including the Beatles and Pink Floyd. At one amazing juncture, the oeuvre of Can is compared to that of the Welsh Elvis and judged hopelessly inferior. At another, they seem to suggest that Stevens invented punk rock.

More importantly, however, it lays bare Shaky's remarkable pre-fame history, a startling ferment of revolutionary socialism, grinding penury (at one stage, funds are so short that Stevens and his backing band are forced to transport their equipment between gigs in a wheelbarrow), an attitude to live performance that would give Iggy Pop pause, and some deeply unlikely cameo appearances. Who knew, as they witnessed the top-selling male UK singles artist of the 1980s shaking hands with a man in an enormous snowman outfit in the Merry Christmas Everyone video, that they were watching a man once feted by John Peel, who even attempted to sign him to his Dandelion label? Who knew that the Rolling Stones, perhaps still befuddled by the recent events at Altamont, booked him to play at their 1969 Christmas party? When not singing his heart out for the edification of Keith Richards, the pre-fame Shaky is to be found playing benefit gigs for the Communist party of Great Britain, organised by Barrett, who "was and still is a card-carrying communist", even encouraging Shaky and band to work up a rockabilly version of The Red Flag.

Lesser men might question the wisdom of employing someone dedicated to the overthrow of capitalism to handle your business affairs, but Shaky is of fearless cast, as demonstrated by his auto-destructive stage act - he tears down stage curtains in Cardiff, kicks drinks into punters' laps in Walsall, sets an audience member's hair on fire in London, and, at perhaps his most triumphant moment, climbs on a diner's table during a corporate Christmas party gig, puts his foot in a bowl of salad and shouts, "Scream, damn you! You would scream for Tom Jones, so you can scream for me!" Suddenly, the stuff about him inventing punk seems marginally less insane.

Certainly, Shaky's attitude towards every rock star who isn't Shakin' Stevens is rich with a withering contempt worthy of Johnny Rotten. His live shows begin with a skit mocking the pipsqueak talents of Jimi Hendrix: what price expanding the vocabulary of the rock guitar in a way unseen before or since when compared to a man from Penarth singing Yakety Yak? Barrett joined in on Stevens' behalf too. When John Lennon performed Whole Lotta Shakin' Goin' On at a 1969 Toronto festival, he penned a sarcastic open letter to the press arguing that "John Lennon had never before expressed a love for this music" - his years spent playing Chuck Berry and Carl Perkins covers in the hopelessly obscure quartet the Beatles having passed Shaky and chums by.

You read the book in slack-jawed disbelief, but it certainly casts his appearance at Glastonbury in an intriguing light. Silence the sniggers. Enough with the ironic "appreciation". No more mockery on the Sun's Bizarre page. Instead, let us hail the real Shaky: Lennon-besting, audience-terrifying hero of British communism; a singer cheered by the Stones and the late John Peel; scientifically proven to be better than Can. Shakin' Stevens: the most radical performer you'll see at this year's Glastonbury.

· You can read Shakin' Stevens by Paul Barrett and Hilary Hayward online at tinyurl.com/4z6vyk


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